

Tumne mujhe dekha hokar meharbaan By Rafi Film Teesri Manzil (1966) INTRO IN INTRO 1 CHORDING.PICE 1 AND 2 IN INTRO 2.MAIN A BREAK END 1 Rasike balma haay dil kyon Singer Lata Mangeshkar Film Chori Chori INRO START IN INTRO1.PICE 1 IN INTRO 2.PICE 2 IN INTRO 3.MAIN VARIATION A,B BREAK END 1 INTRO IN INTRO 1.PICE 1 IN INTRO 2.PICE 2 IN INTRO 3.MAIN VARIATIONS A,B,C,D BREAK END 1Īji aisa moqa phir kahan mile ga By Rafi Film An evening in Parisĭil tera deewana hai sanam Singer Rafi Film Dil tera deewana (1962) Ye sama sama hai ye pyar ka By Lata Film Jab jab phool khile Jab koi baat bigar jae Singer Kumar Sanu Film Jurm INTRO IN INTRO 1.PICE 1 IN INTRO 2.MAIN VARIATION A BREAK END 1 Gulabi aankhain jo teri dekhi, Film Studen of the year INTRO IN INTRO 1.PICE 1 IN INTRO 2.PICE 2 IN INTRO 3.MAIN VARIATION A,B BREAK END 1 INTRO IN INTRO 1.PICE 1 IN INTRO 2.MAIN VARIATION A,B BREAK END 1Īane wala pal jane wala hai Singer Kishore Kumar Film GolmallĬhra liya hai tum ne jo dil ko Singer Kishore Kumar Film Yadon ki baraat INTRO IN INTRO 1.PICE 1 IN INTRO 2.PICE 2 IN INTRO 3.MAIN VARIATION A BREAK END 1Īagay bhi jane na tu Singer Asha Bhosle Film Waqt Tera Jana dil ke armaano ka Singer Lata Film Anari (1959) INTRO IN INTRO1.PICE 1 IN INTRO 2.PICE 2 IN INTRO 3.MAIN VARIATIONS A,B,C BREAK END 1 Mere mehboob qayamat ho gi Singer Kishore Film Mr.

INTRO IN INTRO 1.PICE 1 IN INTRO 3.MAIN BREAK IN INTRO 2.MAIN VARIATIONS A,B,C BREAK END 1 All you need to understand is what KHARJ note you are going to sing the song with, so press the right note or Chord (Major/ Minor) before using Intro buttons.īadan pay sitare lepete huye Singer Muhammad Rafi Film Yamaha karaoke styles are the Beats/ Rhythms for Yamaha keyboards with Intros and Interlude pieces added into Intro I, II, III buttons, so you don't need to learn how to play these music pieces for your performance while singing, just press one of the Intro buttons and a perfect music Intro or Interlude pieces will be played automatically and then it will come back to Main A, B, C or D.
